The Third Wife

Ash Mayfair’s feature debut, The Third Wife, is an enchanting and soul-clenching film based around the multiple themes of womanhood. Viewers are flown back to 19th Century Vietnam, where 14-year-old May has recently become the third wife of a wealthy landowner, and has recently fallen pregnant with his child. Throughout the movie, May is confronted with personal trepidations, not only with her own sexuality but also with her own safety in the face of patriarchy.

While this isn’t Mayfair’s first rodeo in the creative world, this is her first feature film and an overall feast for the eyes. Despite the difference in languages, Mayfair relies heavily on slow-panned shots and beautifully timed scenes laced with tension. I found myself deeply drawn to its dreamy aesthetic, exotic backdrop and ethereal soundtrack, which were all elements of its traditional Vietnamese influence.

Viewers should be warned, The Third Wife is not for younger audience members, and deals with themes of sexuality. Despite its soft-focused look, this film digs deeply into the exploration of same-sex attraction, adultery and the odd dynamics of a polyamorous family. Its younger cast members have even drawn minor controversies, as some audience members believed that certain themes and scenes presented were too inappropriate. However, I personally believe that Mayfair’s choices were fair and ethical, as the story itself is based on her own family history.

Ultimately, The Third Wife is a sensational hit. Its impressive cast, scenic setting, and slow building rhythm provides viewers with a unique experience. If you’re looking for a movie that can provide subtle societal feedback, along with powerful motifs then this is a definite winner for you. It’s not necessarily the independent components that enhance the viewing of this indie film, but the iridescent combination that raises The Third Wife above the rest.

The Third Wife
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