Articles written by: Seanna van Helten

Einstein on the Beach

http://www.milkbarmag.com/2013/07/31/einstein-on-the-beach/

Einstein on the Beach is an iconic twentieth-century production. We chat to performer Kate Moran ahead of the Melbourne leg of an opera that breaks all the rules.

This is Beautiful

http://www.milkbarmag.com/2013/07/17/this-is-beautiful/

Creator and director Ming-Zhu Hii from The Public Studio dissects the pursuit of beauty for Malthouse Theatre’s Helium season.

Persona

http://www.milkbarmag.com/2013/07/09/persona/

Directed by Adena Jacobs and in its return season at Malthouse Theatre, Fraught Outfit’s Persona is a stunning and complex meditation on performance, identity and voice.

True Love Travels on a Gravel Road

http://www.milkbarmag.com/2013/05/20/true-love-travels-on-a-gravel-road/

The path to love is anything but smooth in Jane Miller’s award-winning True Love Travels on a Gravel Road at fortyfivedownstairs.

No Child

http://www.milkbarmag.com/2013/05/15/no-child/

The return season of Nilaja Sun’s No Child combines humour with a bracing critique of a broken-down school system.

SONG

http://www.milkbarmag.com/2013/04/17/song/

Pull up a slice of Astroturf, lie down, and listen to SONG, Ranters Theatre's multisensory evocation of the natural world.

Hate

http://www.milkbarmag.com/2013/02/27/hate/

Twenty five years after its controversial debut, Stephen Sewell’s uncompromising look at Australian society feels just as relevant.

Love Me Tender

http://www.milkbarmag.com/2013/02/25/love-me-tender/

Tom Holloway’s Love Me Tender at Theatre Works deconstructs dramatic form to present a subversive story of devotion and sacrifice in contemporary Australia.

Kiss Me Like You Mean It

http://www.milkbarmag.com/2013/02/19/kiss-me-like-you-mean-it/

Melbourne-based theatre collective MARC Up presents a snapshot of two couples in the throes of love, in Chris Chibnall’s romantic comedy Kiss Me Like You Mean It.

The Other Place

http://www.milkbarmag.com/2013/02/05/the-other-place/

The MTC's latest, by US playwright Sharr White, offers a glimpse into a brilliant mind in disarray, overcome with both illness and the burden of past trauma.

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